Font Club Belgica

Design work for Font Club Belgica, collected from the studios behind it.

Design cases by studio

Typeface Design for Crimp
Crimp, by Font Club Belgica, revives W.A. Dwiggins' largely forgotten proposal to address fixed-width spacing through variable-width glyphs. The family introduces 50% and 150%-width characters alongside angled, stubbed terminals, moving beyond the visual constraints of typewriter-era faces like Courier and OCR-A. It is available as five width-based subfamilies—each with six weights and matching italics—plus upright and italic variable fonts, covering extended Latin, Cyrillic, and Greek.
Typewriter, Variable-width Type